1:57
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Early life as an actor, the struggle with movies over television
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4:18
|
Joining the mom club: worries of getting pregnant and losing her spark for her career, dealing with postpartum
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6:30
|
Creating an opportunity for 3 dimensional characters of women over 20
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8:05
|
The birth of Workin’ Moms
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10:45
|
Writing the script of Workin’ Moms while being pregnant with her second child
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12:15
|
Why aren’t we talking about the struggles of being a working mother?
|
15:16
|
Trying to represent a large variety of women
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16:58
|
Working the men into a show all about women
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18:48
|
Understanding the both sides of coming back to work after pregnancy
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20:52
|
Retaining a sense of identity after having a baby and the importance of forgiving yourself
|
23:57
|
The pushback and the fear about women and pumping breast milk on television
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27:09
|
America is ready for Working Moms, and the level of acceptance for abortions, healthcare etc.
|
28:46
|
Q&A from the audience
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29:24
|
Perspective change since having children
|
31:54
|
The burden of creating the first show about working mothers
|
35:20
|
Working with Kenya Barris director for Black-ish
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38:19
|
Getting the sparkle back after a change, whether that is postpartum depression, a rough day, or simply pregnancy
|
41:15
|
Two types of bosses in the show and what Catherine wanted to get from writing them as that
|
45:24
|
The importance of not only the mother getting ‘sparkle time,’ but the partner also getting the time to recharge
|
48:19
|
The struggle with fitting everything Catherine wants in the show while staying with the storyline and time limit
|
50:55
|
Closing Remarks
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